In Theaters: December 21st, 2011
Arriflex 435 Xtreme, Panavision G-Series Lenses |
IMAX Cameras, Hasselblad Lenses |
Iwerks MSM 8870, Hasselblad Lenses |
Panavision Panaflex Millennium XL2, Panavision C-, E- and G-Series Lenses |
Barrandov Laboratore, Prague, Czech Republic |
Company 3, Los Angeles (CA), USA (Digital Intermediate) |
FotoKem Laboratory, Burbank (CA), USA (65 mm processing) |
Kodak Cinelabs, Mumbai, India |
3632 m (Portugal, 35 mm) |
35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) |
65 mm (horizontal) (Kodak Vision3 200T 5213, Vision3 500T 5219) |
Digital Intermediate (master format) |
IMAX (source format) (some scenes) |
Iwerks 8/70 (source format) (some scenes) |
Panavision (anamorphic) (source format) |
Super 35 (source format) (one scene) |
35 mm (Kodak Vision 2383) |
70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) |
D-Cinema |
1.44 : 1 (IMAX version) (some scenes) |
2.39 : 1 (Global Widescreen Cinema Standard) |
Dolby Digital | SDDS | DTS (as Datasat Digital Sound) |