Arriflex 16 SR3, Zeiss Super Speed Lenses |
Arriflex 435, Panavision C- and E-Series Lenses |
Beaulieu 4008 ZM4 |
Bell & Howell Eyemo, Panavision C- and E-Series Lenses |
Canon 1014XLS |
Panavision Panaflex Millennium XL, Panavision Primo, C-, E-Series, ATZ and AWZ2 Lenses |
Red One MX |
Company 3, Los Angeles (CA), USA (Digital Intermediate) |
DeLuxe, Hollywood (CA), USA |
3084 m (Portugal, 35 mm) |
16 mm (Kodak Vision3 200T 7213, Vision3 500T 7219) |
35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) |
8 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) |
Redcode RAW |
Digital Intermediate (2K) (master format) |
Panavision (anamorphic) (source format) |
Redcode RAW (4.5K) (source format) (some shots) |
Super 16 (source format) (some shots) |
Super 8 (source format) (some shots) |
35 mm (partial blow-up) (Kodak Vision 2383) |
70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) |
D-Cinema |
2.39 : 1 (Global Widescreen Cinema Standard) |
SDDS | DTS | Dolby Digital |